Dantes Divine Comedy - Symbolism in the Punishment of Sin in The Infer

The Symbolism in the Punishment of blunder out in Dantes Inferno Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the recital of a mans journey through hell on earth and the observance of punishments incurred as a result of the committance of sin. In any cases the severity of the punishment, and the punishment itself, has a propose correlation to the sin committed. The punishments argon fitting in that they atomic number 18 symbolic of the actual sin in former(a) words, They got what they wanted. (Literature of the Western World, p.1409) gibe to Dante, endocarp has two divisions amphetamine the pits, devoted to those who perpetrated sins of incontinence, and Lower nut house, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 get an analogous historical or mythological figure employ to bedeck and stage the sin. The first of the two divisions of Hell is Upper Hell. Upper Hell is the area habitated by those committing sins of incontinence or omit of continence. This lack of self-restraint could be in the form of anything from sex to mood. Before delving into the sins of incontinence, unmatched moldiness first look into the first inconsistency of the Inferno. This inconsistency is make up in the Vestibule of Hell. The Vestibule of Hell contains the trimmers and the neutrals. Although al near all other sins mentioned in the Inferno are of an ethical, universal standpoint, the ones mentioned here are sins and from the Christian point of view. These neutrals are the people who either showed no partiality or did not take sides. Lines 37-39 and 46-50 read They are joined with that choir... ...ion. Dante cites now-historical and mythological figures to exemplify the sins and to make for the better understanding of sin to even the most fumbling of readers. This work s tands alongside The Bible as one of the sterling(prenominal) religious-literary masterpieces of all time. Works Cited Literature of the Western World, Volume 2. 4th variant by Brian Wilkie and James Hurt. Upper Saddle River, NJ Prentice-Hall, Inc., 1997. Works Consulted Niven, Larry and Pournelle, Jerry. Inferno. refreshing York scoop Books,1976. MacAllister, Archibald T. Introduction. Inferno. By Dante. New York Mentor, 1954. Pinsky, Robert. The Inferno of Dante. New York Harper Collins, 1994. Shippey, T.A. Into Hell and pop Again. Times Literary Supplement, 8 July 1977, .820. Spinrad, Norman. Introduction to Inferno, by Niven and Pournelle. capital of Massachusetts Gregg Press, 1979. Dantes Divine Comedy - Symbolism in the Punishment of fumble in The InferThe Symbolism in the Punishment of Sin in Dantes Inferno Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a mans journey through Hell and the observ ance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin in other words, They got what they wanted. (Literature of the Western World, p.1409) According to Dante, Hell has two divisions Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin. The first of the two divisions of Hell is Upper Hell. Upper Hell is the area habitated by those committing sins of incontinence or lack of self-restraint. This lack of self-restraint could be in the form of anything from sex to mood. Before delvin g into the sins of incontinence, one must first look into the first inconsistency of the Inferno. This inconsistency is found in the Vestibule of Hell. The Vestibule of Hell contains the trimmers and the neutrals. Although almost all other sins mentioned in the Inferno are of an ethical, universal standpoint, the ones mentioned here are sins only from the Christian point of view. These neutrals are the people who either showed no partisanship or did not take sides. Lines 37-39 and 46-50 read They are joined with that choir... ...ion. Dante cites now-historical and mythological figures to exemplify the sins and to make for the better understanding of sin to even the most inept of readers. This work stands alongside The Bible as one of the greatest religious-literary masterpieces of all time. Works Cited Literature of the Western World, Volume 2. 4th edition by Brian Wilkie and James Hurt. Upper Saddle River, NJ Prentice-Hall, Inc., 1997. Works Consulted Niven, Larry and Po urnelle, Jerry. Inferno. New York Pocket Books,1976. MacAllister, Archibald T. Introduction. Inferno. By Dante. New York Mentor, 1954. Pinsky, Robert. The Inferno of Dante. New York Harper Collins, 1994. Shippey, T.A. Into Hell and Out Again. Times Literary Supplement, 8 July 1977, .820. Spinrad, Norman. Introduction to Inferno, by Niven and Pournelle. Boston Gregg Press, 1979.