Georges Seurat - Hi Painting Essay -- essays research papers

Georges Seurat recitationd the pointillism approach and the use of color to make his photograph, A Sunday Afternoon on the Island of La Grande Jatte, be as lifelike as possible. Seurat worked two years on this word picture, preparing it woth at least twenty drawings and forty color sketched. In these explorative drawings he analyzed, in detail either color relationship and e precise aspect of pictorial space. La Grande Jatte was like an experiment that involved office depth, the broad landscape planes of color and light, and the way shadows were used. E trulything tends to come back to the get on of the picture, to emphasize and reiterate the two dimensional plane of which it was painted on. likewise important worth mentioning is the way Seurat used and created the figures in the flick.The famous painting A Sunday Afternoon on the Island of La Grande Jatte was painted surrounded by 1885-1886. The subject is an island newly adopted by the Parisian middle rank as a place fo r quiet Sunday gatherings. The painting looks rattling realistic. The figures and the way they argon dressed look lifelike as does the picturesque landscape in the background. The colorise and the painting style, pointillism, make this painting very realistic. The question is, how does Seurat go about making the painting look so lifelike?Pointillism was a major reason in why Seurats painting looks so lifelike. During the painting of La Grande Jatte, Seurat simplified his brushwork to such an extent that his painting seems to be composed of nothing but tiny, more or less(prenominal) circular dots. Seurat&8217s experiments with color led him to paint in nonaged dots of color which are arranged in such combinations that they seem to vibrate. case-by-caseistic colors tend to interact with those around them and fuse in the pith of the viewer. This approach is not unlike the dots or pixels in a calculating machine image. If you magnify any computer image sufficently, you will see individual colors that, when set together, produce an image. Seurat was interested in the way colors came about. With the enhancement of the luminousity of colors made possible by the investigation of scientific optics, he saw positive merit in a system in which the movement of the brush no longer demanded the slightest skill &8216 present the hand is, in effect, useless, deceit impossible no room for bravura i... ... get a line for the overall concept they appear rather as abstract patterns. The shadows of the figures were very carefully modeled. The light- dark contrasts of the shadows make them seem actually real. The spatial select is only established through the relations between the sizes of the objects. The painting is not based on a geometrical, box like space. The perspective marrow squash is on the amend, despite the fact that the composition is laid in rows duplicate to the picture frame. At the same time a paradoxical foreshortening from right to left is evident. The girl fishing with the orange dress and her mother are on the same level, that is, actually at equal distance. In its spatial contruction, the painting is also a successful construction, the groups of people sitting in the shade, and who should really be seen from above, are all shown directly from the side. The ideal eye level would actually be on different horizontal lines counterbalance at head height of the standing figures, then of those seated. Seurats methods of combing observations which he collected over two years, corresponds, in its self invented techniques, to a novel lifelike painting rather than an academic history painting.