'Relationship analysis of the Baroque and Romantic Art Movements Essay\r'

'baroqueness machination feat st nontextual mattered in the 17th snow extending to early 18th century and take to the Rococo, Neo clean and then to romance machination figurehead. The hyphens of baroqueness period of time began in Rome, Italy and later spread to most p artistic productionistic productions of Europe. romanticism sweat began in Europe in the late 18th century and all-inclusive to mid-19th century leading to Realism art Period. The name baroque is turn overd to have originated from the invent â€Å"Baroco” that means irregular pearl though the art Period doesn’t realise to the PEARL, scarce the abnormalcy of the churrigueresque styles deviating from the anterior art periods (â€Å"Baroque,” 2014). The Baroque period was characterized by elaborate and extravagant use of ornaments, garble and perception. Religion was a epochal role of this art period, and the methodology was advanced by the Catholic church service in resolu tion to count whilect the reformation of Protestantism.\r\nVarious disciplines ilk medicine, sculptures, and paintings incorporated unearthly zeal draftsmanship themes from scriptural stories (â€Å"Baroque wile,” 2014). The Baroque â€Å"irregularity” style was overly manifested in music by relying on convoluted harmonies and willing improvisation. Many of the music compositions from this period observe God and religion (â€Å"Movements in the humanistic discipline: Baroque & ampere; Neoclassicism,” 2014). The name â€Å" quixoticism” to describe the art period does non directly translate to its root treatment â€Å"Romance” in association with â€Å" screw” but instead meant the idealization/ idealisation of complex subjects. The quixoticism art bm augmented ordinary events into extraordinary. romanticistism movement is almost impossible to define soon since it foc utilise on the glorification of cryptic convoluted subject matters like heroism, liberty, survival, despair and feelings that appeal to humanism but as yet very subjective.\r\nThis period foc utilize on nature, emotional appeal and imagination versus the scientific systems, creativity and novelty versus classical/ pompous rules and self-expression versus traditional religious concepts which ultimately light-emitting diode to Protestantism (â€Å"Movements in the Humanities: romanticism, Realism, Modernism,” 2014). Music, sculptures and paintings from this century accentuate emotion, passion and exotic settings with dramatic actions, focusing principally on heroic and policy-making matters. Artists used intense colourise and opened brush strokes to exhibit mood and august expression, all geared to exude a load of emotion. there were similarities surrounded by the Baroque and amorous art periods that cut crossways a wide array of disciplines including computer architecture and painting aesthetics. both(prenominal) movem ents used arches in their architecture as seen in the Baroque â€Å"Hall of Mirror” and in the Romantic â€Å"Crystal Palace.”\r\nArtists from both movements used fun of light and ghostwriter to create emotion as seen in Romantic painting â€Å"Wanderer in a higher place the sea of oblit erate” by Casper David Fredrick, 1818 (Friedrich, 1818) and to create volume in Baroque painting â€Å"The night realise” by Rembrandt Van Rijin, 1642. Though both movements used color contrasts of light and shade as mentioned, the Baroque artists utilized this style more whereas the Romantics utilized intense colors and loose brush strokes more (â€Å"Romanticism,” 2014). There was also a feeling of movement and energy displayed in paintings from the Baroque â€Å" bollix of the Sabine Women” (â€Å"Nicolas Poussin | The Rape of the Sabine Women (1637-1638) | Artsy,” n.d.) and the Romantic â€Å"Raft of the Medusa” (â€Å"Théodore Gà ©ricault | The Raft of the Medusa (1818-1819) | Artsy,” n.d.) Themes of the two paintings mentioned above were dramatic and dream-like, both expressing subjects of despair careworn from the concept of social aspects that were present in both the Baroque and the Romantic art movements.\r\nThe Baroque and Romantic art periods were also explicitly different on numerous levels. The Baroque era reigned during the Catholic Church counter-reformation. Styles and characteristics of this period focus on word-painting religion and heavily utilized biblical themes. On the other hand, the Romantic era was in the center of the revolt against universality and classical orthodox elements. Styles and characteristics of this age mainly focused on individual uniqueness and self-expression. The sculpture of David finished in 1624 is an exercise of the Baroque’s â€Å"all things” religious and â€Å"Liberty leading the people” by Victor Delacroix is symbolic of liberty and heroism, which were significant offices of the Romantic era. The use of ovals and circles in the Baroque architecture exhibited some of the other differences between these periods with a perfect example of St pecker’s Basilica completed in 1626, in contrast to sharp lines used in the Romantic Palais Garnier Opera phratry completed in 1875.\r\nAnother cobwebby difference between the two art movements was the use of extravagant ornaments and variety of materials. The Baroque’s â€Å"Hall of Mirrors” is a near example where mirrors, bronze and crystal chandeliers were used to achieve a sense of splendor compared to the Romantic â€Å"Crystal Palace.” This architecture was a simpler design built entirely with glass, a perfect example of originality that was a radical characteristic of the era (Comparison of Baroque and Romantic Era Art, 2013). Romanticism had enduring refer on the styles and characteristics of the art movements that followed. Art ists today disembarrass revere nature as displayed in a 21st century piece, â€Å" potential drop utopias” by Nils-Udo with characteristics of movement and mystical color (Mok, 2009).\r\nAnother lasting impact of Romanticism is the heroic and iconic characteristics displayed in the sculptures of the era. A good example is the â€Å"The statue of Liberty” apply on 1886 with a broken image on the feet. This mood reflected in the â€Å"US marine Corps Iwo Jima remembrance” sculpture designed by Felix De Weldon in 1945, both perfect examples of an embodiment of Freedom. Art movements following the Romanticism period emulated the component of originality/creativity and individual expression to establish skill. Realism like the previous period Romanticism was also a revolt spurred by the unsettling politics and social issues of the era. Both these eras following each other focused on the effects of nature to the golf-club with a focus on harm to the marginali zed class.\r\nThere were vast, and conspicuous social military position differences as a result of the innovative economic era at the time. The era following the Romantic movement sprung a formidable cynic attitude delimitate by people who didn’t believe in the abstract style but instead viewed their world through the optical prism of realism. In conclusion, the Romanticism revolt against the classical conventional notion of the Baroque movement repeated itself as Realism concepts rose against the Romantics idealization characteristics. All the mentioned art movements contributed to the orgasm of each succeeding period as they transitioned from one art movement to another.\r\n quotation list\r\nBaroque. (2014, September 4). In Wikipedia, the free encyclopedia. Retrieved from http://en.wikipedia.org/w/index.php?title=Baroque&oldid=624175230 Baroque Art. (2014). Mindedge Inc. Retrieved from http://wgu.mindedgeonline.com/content.php?cid=19779 Comparison of Baroque and Ro mantic Era Art. (2013). Retrieved from http://www.youtube.com/watch?v=kSAW5CHFXQM&feature=youtube_gdata_player\r\nFriedrich, C. (1818). Wanderer above the sea of Fog. Retrieved from http://cdn2-d.mindedgeonline.com/460/468px-Caspar_David_Friedrich_032.jpg Mok, K. (2009, February 18). Top 5 Environmental Artists shudder Up the Art World. Retrieved September 5, 2014, from http://www.treehugger.com/ nicety/top-5-environmental-artists-shaking-up-the-art-world.html Movements in the Humanities: Baroque & Neoclassicism. (2014). Mindedge Inc. Retrieved from http://wgu.mindedgeonline.com/content.php?cid=21187 Movements in the Humanities: Romanticism, Realism, Modernism. (2014). Mindedge Inc. Retrieved from http://wgu.mindedgeonline.com/content.php?cid=21220 Nicolas Poussin | The Rape of the Sabine Women (1637-1638) | Artsy. (n.d.). Retrieved September 5, 2014, from https://artsy.net/artwork/nicolas-poussin-the-rape-of-the-sabine-women Romanticism. (2014). Mindedge Inc. Retrieved fr om http://wgu.mindedgeonline.com/content.php?cid=19780 Théodore Géricault | The Raft of the Medusa (1818-1819) | Artsy. (n.d.). Retrieved September 5, 2014, from https://artsy.net/artwork/theodore-gericault-the-raft-of-the-medusa\r\n'